1606-1656 French Laurent de la Hyre Galleries He became a pupil of Georges Lallemand and studied the works of Primaticcio at Fontainebleau, but never visited Italy. La Hyre is associated with the transitional period before the introduction of the French Baroque by Simon Vouet. His picture of Pope Nicholas V opening the crypt in which he discovers the corpse of St. Francis of Assisi standing (located at the Louvre) was executed in 1630 for the Capuchin friars of the Marais; its gravity and sobriety seems to have been influential for the next generation of French painters, particularly Eustache Le Sueur. The Louvre contains eight other works, and paintings by La Hyre are in the museums of Strasburg, Rouen and Le Mans. Laurent de La Hyre: Perspective (drawing).His drawings, of which the British Museum possesses a fine example, Presentation of the Virgin in the Temple, are treated as seriously as his paintings, and sometimes show simplicity and dignity of effect. The example of the Capuchins, for whom he executed several other works in Paris, Rouen and Fecamp, was followed by the goldsmith's company, for whom he produced in 1635 St. Peter healing the Sick (Louvre) and the Conversion of St Paul in 1637. In 1646, with eleven other artists, he founded the French Royal Academy of Painting and Sculpture. Richelieu called La Hyre to the Palais Royal; Pierre S??guier, Gedeon Tallemant des R??aux and many others entrusted him with important works of decoration; for the Gobelins he designed a series of large compositions. La Hyre painted also a great number of portraits, and in 1654 united in one work for the town-hall of Paris those of the principal dignitaries of the municipality.  Related Paintings of Laurent de la Hyre :. | Astronomy | Christ The Judge | Abraham Sacrificing Isaac | Allegory of Arithmetic | Abraham Sacrificing Isaac |
Related Artists:
BOSSCHAERT, Johannes
Flemish painter (b. ca. 1610, Middelburg, d. ca. 1650, Utrecht) was a member of the Bosschaert family of still life painters. He was the second son of Ambrosius Bosschaert. Little is known about his life, including the date of his death.
Jean-Etienne Liotard
1702-1789 Swiss Jean Etienne Liotard Gallery He began his studies under Professor Gardelle and Petitot, whose enamels and miniatures he copied with considerable skill. He went to Paris in 1725, studying under J. B. Masse and François Lemoyne, on whose recommendation he was taken to Naples by the Marquis Puysieux. In 1735 he was in Rome, painting the portraits of Pope Clement XII and several cardinals. Three years later he accompanied Lord Duncannon to Constantinople. His eccentric adoption of oriental costume secured him the nickname of the Turkish painter. He went to Vienna in 1742 to paint the portraits of the imperial family. Still under distinguished patronage he returned to Paris. In 1744 he visited England, where he painted the princess of Wales in 1753, and went to Holland in 1756, where, in the following year, he married Marie Fargues. She also came from a Hugenot family, and wanted him to shave off his beard. Another visit to England followed in 1772, and in the next two years his name figures among the Royal Academy exhibitors. He returned to his native town in 1776. In 1781 Liotard published his Trait?? des principes et des r??gles de la peinture. In his last days he painted still lifes and landscapes. He died at Geneva in 1789. Liotard was an artist of great versatility, and though his fame depends largely on his graceful and delicate pastel drawings, of which La Liseuse, The Chocolate Girl, and La Belle Lyonnaise at the Dresden Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and glass painting. He also wrote a Treatise on the Art of Painting, and was an expert collector of paintings by the old masters. Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England. The museums of Amsterdam, Berne, and Geneva are particularly rich in examples of his paintings and pastel drawings. A picture of a Turk seated is at the Victoria and Albert Museum, while the British Museum owns two of his drawings. The Louvre has, besides twenty-two drawings, a portrait of Lieutenant General Hrault and a portrait of the artist is to be found at the Sala di pittori, in the Uffizi Gallery, Florence. While his son also married a Dutch girl, the Rijksmuseum inherited an important collection of his drawings and paintings.
Elihu Vedder
American Symbolist Painter, 1836-1923 American painter, illustrator, sculptor and writer. He studied under Tompkins Harrison Matteson in Shelbourne, NY, and went to Paris in March 1856. After eight months in the studio of Fran?ois-Edouard Picot, he settled in Florence until the end of 1860. There he learnt drawing from Raffaello Bonaiuti, became interested in the Florentine Renaissance and attended the free Accademia Galli. A more significant artistic inspiration came from the Italian artists at the Caff? Michelangiolo: Telemaco Signorini, Vincenzo Cabianca (1827-1902) and especially Nino Costa (1827-1902). This group sought new and untraditional pictorial solutions for their compositions and plein-air landscapes and were particularly interested in the experiences of Gustave Courbet and the Barbizon painters. They became known as Macchiaioli for their use of splashes (macchia) of light and shadows and for their revolutionary (maquis) attitude to prevailing styles. Among Vedder's most notable Florentine landscapes are Mugnone Torrent near Fiesole (Detroit, MI, Inst. A.) and Le Balze, Volterra (Washington, DC, N. Mus. Amer. A.)